A Son's Duty.
A fan fiction based on Takahashi Rumiko's ongoing Manga series, Ranma 1/2
Saotome Ranma, Saotome Genma, Saotome Nodoka, Tendo Akane, Tendo Soun, Tendo Kasumi, Tendo Nabiki, Tendo Ranko, Kuonji Ukyou, Hibiki Ryouga, P-chan, Shampoo, Mousse, Kunou Tatewaki, Kunou Kodachi, Kurenai Tsubasa, and Hinako Sensei are copyright 1987, 1995 by Takahashi Rumiko.
Publishing rights:
Japan: Shogakukan Inc. Tokyo
Hong Kong: Jademan (Holdings) Ltd.
North America: Viz Inc.
Chapter Three:
A nervously smiling Ranma was in a combination of shock, fear, and longing.
The woman before her was her mother. The one person that she longed to be with and get to know, and the one person to whom she could not tell the truth. To tell her mother who she really was would mean her death.
It was always this way when Saotome Nodoka came to visit the Tendo household.
In order to survive, Ranma had taken the identity of Tendo Ranko, the niece of Tendo Soun. Everyone in the household went along with this, not only to protect Ranma and Genma, but because Nodoka would take her own life after that of her husband and child. A situation which had to be prevented at all costs.
Still, Ranma _wanted_ to know her mother, to be with her, and to try to understand her past. Her father had neglected to tell her anything about Nodoka, keeping it secret, and not even hinting at who she was and what she was like. If anything, it made the young girl more anxious, more curious about the woman who would marry her father. Although it was never mentioned, Ranma was sure that the marriage was arranged. Who would be willing to marry that idiot otherwise.
Unfortunately, what hurt Ranma the most during Nodoka's visits were the lies she had to tell her.
The Tendo's themselves did not feel good about the lies, but given the situation, it was the _only_ way for Ranma to know her mother. Everyone in the house realized that it broke Ranma's heart to be near Nodoka, but never be able to acknowledge that she was her child. It was something the she would never admit.
The other three girls were sensitive to the circumstances and chose not to say much about it. Akane saw the pain in his eyes, Kasumi, the love in both of them, and Nabiki, the intense longing of something she herself missed. They felt uncomfortable but missed their mother too much to interfere in Ranma's decision.
As long as the young girl had known Nodoka, she felt guilty over what her father had her doing. All of the lies drained her emotionally and mentally. It was extremely hard for Ranma; having been torn from her mother, and then not able to tell her who she was. Of all the things Genma had done to her life, this was the one thing that she hated most. It was only by sheer luck that Ranma had not killed her father when she had the chance, and it was only because of Nodoka that she still had not killed him.
How she longed to tell Saotome Nodoka who she was, despite what family honour might cause her to do.
*Forget thinking about skewering the old man,* she thought, *I want him to suffer before he dies. If he hadn't made that stupid promise and had me sign it when I was too young to know what I was doing, I could be with her right now!*
Silently swallowing her disappointment and bitterness, Ranma smiled sweetly, "Ranko-chan is doing wonderfully Auntie Saotome! School is sooo much fun!"
Nodoka smiled at that and looked at Ranko', who was wet and, as usual, was dressed very much like a boy. She sighed silently to herself, *Ranko-chan, whatever am I going to do with you? If only you realized how pretty you look, and how many boys would ask you out if you tried to look your best. If only you had someone to watch over you properly.*
If her feelings about Ranko were unusual, so was the situation.
Nodoka realized that something traumatic must have happened in the girls past for her to behave in the way she did. Always acting and dressing like a boy, using rough language, and closing herself off from most people around her. Ranko never seemed to want to be the girl she was.
On top of that the Tendo family had bought Ranko a panda, a _very_ expensive and exotic pet. It seemed to be the only thing that mattered in her life since she was always playing with it in the water and having it sleep in her room instead of the yard. In addition, Ranko had taught her pet to use language, even to the extent of writing signs. The fact that she had enough time to teach her pet to use language told Nodoka that Ranko had few, if any, friends.
Nodoka felt a longing, a sense of indescribable loss in that child that resonated with her own. She could feel the longing for a mother, someone Ranko could trust completely, implicitly. It was for these reasons that she believed Ranko had been orphaned at an early age, with her parents dying in some unspeakable manner.
She thought once again of how much pain Ranko must have in her life. The girl tried to hide her true emotions from her, but she knew that underneath lay a deep sorrow. Nodoka longed to take the child into her arms and comfort her as much as possible, to eliminate, for a time at least, what troubled Ranko.
She had come to love Ranko, and treated her as her daughter.
*If only your mother had lived, or your aunt,* she pondered silently to herself, *perhaps you would have grown up normally and have been satisfied being yourself. We've never talked about it, but you must miss your mother very much. At least, that is what I have seen in your eyes, and in how you dress and act. It is almost as though you do not want anyone to come near you, or know you. How hard of a life have you had Ranko?*
Nodoka thought, *I know that you will not openly accept anyone as a replacement, but I hope that I can at least come close, for your sake...*
Nodoka kept her face happy and bright, as she always tried to do with Ranko, "That's wonderful Ranko, but where is your school uniform? Was it damaged in some manner?"
Ranko's face flushed and some beads of perspiration started to appear on her forehead as she wondered what to say...
***
At that moment, Akane and Ukyou had just turned into the road that led to the Tendo home. They walked slowly, an almost palpable air of depression about them. Ukyou's face had an uncomfortable and resigned look while Akane's expression was concerned.
The reason for their mood was that they had been discussing, unsuccessfully, what to do about Ukyou's father. So far, every idea they had come up with had been rejected as either too simple, too complicated, or too dangerous to work. If there was a way for Ukyou to be herself, they weren't able to figure it out on the walk home.
Of course, the panda didn't care about that.
The only concern that Genma had was making sure that Nodoka never found out the truth about her son. If she did...the panda shivered visibly at the thought of his wife's Katana, and more, the extreme sense of honour that she had. At the first possible chance, she would come after him and perform the role of Kaishaku.
A role that required the person to be a master of Kenjutsu.
He had no doubt that she had practised with the blade and would carry out the role to perfection. Although she stated that she was clumsy, Nodoka's speed, the perfection and economy of her movements, and her accuracy indicated otherwise. He was scared of a lot of things, but his wife's ready Katana was a fear going beyond the ordinary.
Unfortunately for Genma, his fears were justified considering his past indiscretions. He had realized long before that if Nodoka found out about some of the things that he had done, he would be forced to take his life, or at least pay reparations to many, many people. Nodoka was extremely serious about every point of honour, every tradition, that made up the feudal past of Japan.
If, make that when, she found out about Genma having stolen and cheated his way through the long years of training, she would be _extremely_ angry at him. Nodoka definitely would not approve of any of his methods. She might forgive some of his actions, she might force him to repay people, but the one thing she would never forgive is what happened to her son. Nodoka would demand his life for what had happened to Ranma.
Unbidden, his mind went back to that unfortunate day months ago. He had taken Ranma on a training trip to China, going to many historical places important to the boy taking over as the sole Master of the School of Indiscriminate Grappling. The trip had gone extremely well up to that point, with Ranma enjoying the sights and anxious to learn all he could.
Then came the disastrous trip to Jusenkyou. He had taken Ranma there, assuming that since it was one of the lengendary training grounds, the boy would face a true challenge. Unfortunately, Genma was never very proficient at reading Chinese.
Upon thier arrival, they had engaged the local guide, an old man who supposedly knew the legends of the past. Genma had thought the two of them would be able to absorb the wisdom in the stories this person would tell. A way of making it harder for Ranma to concentrate.
When they had arrived, the guide had indicated that each of the pools had it's own tragic legend, it's own tale of misery and despair and as such was too dangerous for anyone to train there. In their stubborn pride, their conceit over their abilities, they had chosen not to listen. All that was noticeable were the pools with bamboo poles in each one, ending approximately ten feet high above the water. A small height to traverse considering the vast amount of time he had concentrated on developing the boys inner resources.
Both had stood on the poles in a relaxed stance. They were ready to move, ready to adjust their attacks. Below them, the guide was trying to get them down, trying to stop them from doing what they were doing. Determined and ready, they attacked each other. The style of movement had to vary, from hard, to soft. General strikes to test each others preparedness.
Ranma had managed to knock him into a pool first.
He was angry at that, that his son should show him up in such a short time at a new training ground. That Genma, a Master, should be shown up by the pupil. He leapt out of the pool and landed on one of the poles, again facing Ranma, not understanding the boy's startlement, or caring about what the guide was saying. He struck his off-guard son into a pool, a short distance away.
It wasn't until Ranma came up out of the pool that he noticed, and decided to listen.
To his horror, and his everlasting embarrassment, Genma learned that he was cursed to become a giant panda every time cold water hit him, and his son was destined to become his daughter. He could never allow himself to contact his wife again.
Nodoka would _never_ forgive him.
He ran up to both girls, oblivious of their mood, and waving his sign, trying to get their attention.
Akane looked up, "What is it Uncle Saotome?"
Genma just held his sign for Akane to read.
Ukyou looked at the sign, "Who is Nodoka?"
"She's Ranma's mother, Ukyou." Akane answered, "Except she doesn't know who Ranma is and thinks that she's my cousin Ranko."
Ukyou turned around to face Akane, "Wait a second, why wouldn't she know who Ran-chan is?"
Akane looked at the panda in front of her, her eyes narrowing a bit, and she grabbed hold of one of its checks. "Oh, I'm sure Uncle Saotome would be able to explain, especially about a promise he made to his wife...."
"Another promise?" Ukyou looked at the panda who was now trying to get away. His obvious anger was more than enough to make Genma gulp with fear. Ukyou took the heavy spatula off of his back, twirling it around like the weapon it really was, "ANOTHER...DAMN...PROMISE..."
A cloud of dust rose quickly as Genma suddenly found himself being made into panda pancake.
***
After a while, both girls continued on to Akane's house. Despite the pleasant diversion, (they had left Genma in a panda sized pothole), both were still unable to come up with a way for Ukyou to face his father. It was a difficult problem without any easy solution.
Akane was thinking of all the times that they had successfully pulled off lies and deceptions. It was not something that she was proud of, indeed, all of them were privately shamed when it had to occur. If there was some way to rescue the situation, she wasn't sure what it was, and with Auntie Saotome visiting, things would become even more complicated.
Something poked at her memory. A trick that had been carried out before, one that might be able to help...Akane remembered in a sudden flash of inspiration what it was.
"Ukyou, remember Tsubasa?"
Ukyou winced at that, "Yes, what about him?"
"Remember what you did when you thought that Tsubasa was a girl? The picture you sent of Ranma saying that she was your fiancee?"
"Yes, so what about...", Ukyou went silent as he realized what Akane was talking about. If he could claim that he had a relationship with a _female_ Ranma, then there would not be a problem in facing his father. In fact, his father might approve of the relationship.
Akane grabbed Ukyou's hand and started running towards the business district, "Come on, we have some shopping to do!"
Ukyou, who's face had taken on a look of comprehension a few seconds before, now took on one of consternation. "Akane...Akane-chan, where are we going?"
"To buy about two dozen flowers and some cakes."
Ukyou was in a bit of a panic. Akane's hand was firm and he couldn't shake loose. Moreover, Akane had some sort of idea that she was not informing him about. "What are you doing?!?"
"Preparing you to become a romantic young man...."
GLOSSARY
KATANA
It has been said by many that there is magic in a Japanese blade. No matter how far away in the world, the reputation of the Japanese blades have sparked envy, fear, and deep longing in those that wish a good weapon. They are known over the world for four major factors:
1) The cutting ability
2) The flexibility
3) The respect shown to them
4) The workmanship.
So, how are these weapons made?
According to the experts who write a lot of books, there are many methods used. Some of these methods described are accurate, some are not. Others are from the imagination of the writer who "knows" how to do it without having ever set foot into the room of a creator.
Here is the method that I saw used to make my own sword.
The sword maker need three physical objects before he begins to make the sword:
1) A source of pure carbon
2) A source of iron
3) A source of cold water.
The sword maker needs to have at least one assistant, and the maker must perform the rituals of purification before considering touching the physical material.
After the purification ritual, the sword maker takes the carbon and creates a very fine powder with it. The powder is then placed into specially blessed containers and placed carefully aside at a small shrine.
This is left there for the priest or priestess to come and bless.
The iron bearing rocks are then placed inside a small blast furnace. The process of removing the iron from the rocks takes between four to six days and the metal is removed from the bottom at that time. This metal is cut up, and then the cut pieces are placed into a fine ceramic clay and baked for several days until the metal is liquid again. The ceramic is then left to cool naturally for about six to eight days. The ceramic coating is removed, and the metal cleaned. It is then placed inside the shrine as well for a priest or priestess to bless. It is one of five bars made at this time.
When this was completed the sword maker contacted the one for whom the sword was to be made and a Shinto priest or priestess, usually dedicated to a god of war, although, depending on the swords use, other gods or goddesses could be invoked. The person for whom the sword was being made went through a purification ritual, and the blessed bar and powder was brought out. The iron bar was heated until it was white hot, and an even layer of carbon powder was poured over the top of the bar. The bar stayed this way for about three to five minutes and the excess dumped into the fire. The person for whom the sword was being made makes a cut and let their blood fall along the length of the bar. The bar was then folded over and blessed by the priest or priestess as it was sealed by pounding.
The bar is folded about two hundred times, using the methods detailed above, and with the owner coming in at certain times to place more blood within the blade. In the final fold, the owners blood is placed once more and sealed with a special blessing being placed upon the bar. Thus the bar now belongs to the blood line and the saying, "The sword is the soul of the warrior" takes on a very special meaning.
The whole bar is then shaped carefully and primary grinding and sharpening is done. The bar, which is now a rude blade, is covered in a thick layer of clay, and the cutting edge has the clay removed in a careful triangular pattern. The blade is then heated to the desired temperature and cooled quickly in the blessed water, thus forming a sharp, flexible edge.
Final grinding and sharpening is now done and polishing is completed.
Any defect in the blade are covered by designs along the blade. The blade is then signed with the mark of the maker, and it is considered complete.
However, this was not always the case. Some blades came out so well that no designs were placed on them. In fact, the best blades do not even have the seal of the maker, as to make a seemingly perfect blade is, in itself, recognition enough. An unsigned, unadorned sword is the pinnacle of the sword makers art.
The other bars are formed in the same way to form a set of blade of the usual following lengths:
Jin Tachi 38 inches
Katana 30 inches
Chisa Katana 24 inches
Wakizushi 20 inches
Tanto 14 inches
Such properly made, properly blessed blades are treasures of a family line.
KAISHAKU
The righter of wrongs.
This particular role is considered to be one of high honour among those who still practice the ancient ways. The role being talked about in this case is that of a second (I can think of no other term in English that is equivalent. This comes of my lack of knowledge of the English language and it's usages.) in the process of one committing seppuku. For this role, the person must be of high personal honour, and of known purity.
Usually, the Kaishaku goes through a ritual of purification before the morning of the ceremony. The person then stands, or sits on the right side of the one about to commit themselves to the Kami and is at an angle that will allow a clean strike to the neck. The Kaishaku knows that the blow must be struck once, and that it must be as clean as possible. To this end, the Kaishaku is usually a practitioner of the war art of the sword known as Kenjutsu.
After the third cut in the case of a man, or a female warrior, or the second cut of a woman, the Kaishaku strikes hard, and immediately upon the exposed back of the neck. The Kaishaku then makes the appropriate offerings and arrangements for the bodies. The Kaishaku then goes to the lord or to the person to whom the dishonour was done and informs them that the honourable end to the person who needed to atone has been done.
This role is usually asked of a family member or a very close friend as the role is one of the greatest trust.
KENJUTSU
Kenjutsu is the war art of using the sword.
To begin, Kenjutsu differs greatly from Kendo in some significant manners:
1) Kendo uses a Shinai for practising. This is a four piece practice sword that is quite flexible and does not hurt as much as the Bokken which is a solid piece of wood used in Kenjutsu practice.
2) Kendo concentrates on the development of the mind and on use of the sword in a manner conductive to sports while Kenjutsu practices the development of skills towards the use in an actual battle.
3) Kendoist practice with protective armour when facing each other while Kenjutsu practitioners do not use armour when using the bokken.
Currently, there are less that 100 publicly known schools of Kenjutsu in existence although it is known that there are many schools that are still unofficially thought. At one time, the number of publicly known schools surpassed 1400 different schools. Although not used today, there are still some practitioners of this full art who do it out of duty to the art itself.
True Kenjutsu schools are few and far between. It is better for those interested to find a kendo school and try this before becoming involved in this art of war.
Authors Note:
There are several things in this that I needed to change and I want to thank all of the pre readers for their advice. I really needed it.
Now about the Katana. I could only list what I knew and saw. The one thing that I remember the most was that my set of blades took more than five years to complete. Since this was all that I was allowed to see, there might be something missing from it.
One thing, the method I describe is one of the most traditional methods used, at least as far as a family sword is concerned. I have used my blades and they can cut into a lot of things that other blades cannot.
Over the years I have met several sword masters and have been thought a lot of different weapons. Learning about the past can be a lot of fun. It is also great way to exercise.
On a personal note, I did once try to see what a group called the Society for Creative Achronism was about and attended a number of their meetings.
One of the things I was interested in was learning in how they thought how to use a sword. Unfortunately, they used the sword in terms of a sport and not in how it is actually used. It was interesting from what they were doing, but some of the facts they had wrong. One of the ones that they refused to believe was how well a Japanese blade cut and were telling me that swords were used like baseball bats.
This is not to say that they are not accurate in a lot of other areas, but I would say some of the fighting techniques were based on suppositions. I have used many different types western swords and if they were used as they thought me how to use them...let's just say that western knight would not be able to do some of the things that they did.
They do know a lot about the past, but some of the things they teach are hardly accurate.
Oh, by the way. Please flame me so I can know what I am doing wrong. I need it!